{"id":3571,"date":"2022-09-19T09:00:28","date_gmt":"2022-09-19T13:00:28","guid":{"rendered":"https:\/\/scaranoarchitect.com\/old\/?p=3571"},"modified":"2022-11-07T10:32:32","modified_gmt":"2022-11-07T15:32:32","slug":"women-in-architecture","status":"publish","type":"post","link":"https:\/\/scaranoarchitect.com\/old\/women-in-architecture\/","title":{"rendered":"Women in Architecture"},"content":{"rendered":"

As in any profession<\/a>, women are taking their rightful place alongside
\nmen in their field. They are finally being recognized for the creative,
\ntalented professionals they are. This article will focus on the architect,
\nSophia Gregoria Hayden<\/a>. She was born on October 7, 1868, in Santiago,
\nChile to a Peruvian mother and a father from the Northeastern United
\nState. She died on February 3, 1953, in Winthrop, Massachusetts, U.S.
\nIn 1893, she fought for the aesthetic integrity of her design for the
\nWoman\u2019s Building of the World\u2019s Columbian Exposition in Chicago.
\nAfter a lifetime of designing, the Woman\u2019s Building was Hayden\u2019s only
\nproject to ever be built!
\nShe spent her early childhood in Chile and was educated in Boston,
\nwhere from age six she lived with her paternal grandparents. In 1886 she
\nbecame the first woman admitted to the architecture program of the
\nMassachusetts Institute of Technology in Cambridge, Massachusetts.
\nShe was one of two women admitted into the program. The talented
\ndetermined Hayden completed the rigorous program in 4 years. Her
\nsenior thesis was a design for a Fine Arts Museum of classic design. She
\ngraduated with honors in 1890 but was unable to find work as an
\narchitect. She finally took a job teaching mechanical drawing at the Eliot
\nschool. The following year, Hayden entered a design competition for the
\nWoman\u2019s Building of the World\u2019s Columbian Exposition in Chicago.
\nHer design for a building styled after the Italian Renaissance won the
\ncompetition.
\nHayden began working in 1891, often fending off the demands of the
\nBoard of Lady Managers, who wanted to incorporate the work of other
\nwoman artists (whether it complemented the structure\u2019s overall design or
\nnot). Upon completion of the building, Hayden received a fee of 3 to 10
\ntimes less than that of the male architects who designed Exposition
\nbuildings. Although she was awarded a gold medal from the Board of<\/p>\n

Lady Managers and male critics were patronizing. They remarked that her
\nstructure had such \u201cfeminine\u201d attributes as daintiness and grace.
\nThroughout her architectural career, which lasted only a few years and
\nresulted in only one realized building, Sophia Hayden Bennett played a
\nsignificant role in the profession at the moment when women were
\nbeginning to practice in the United States. Hayden was the first woman
\nto receive a degree in architecture from MIT. As the architect of the
\nWoman\u2019s Building at the 1893 World\u2019s Columbian Exposition, Hayden
\ndrew attention to the small group of female architects pursuing academic
\ntraining, and to the circumstances pursuing academic training they
\nwould confront upon entering the profession.
\nOn February 2, 1891, the Construction Department of the World\u2019s
\nColumbian Exposition announced a competition for the design of the
\nWoman\u2019s Building, one of the exhibition halls to be constructed for the
\n1893 international exposition in Chicago. The competition
\nadvertisement specified that only designs by women would be eligible
\nand that each entrant must have formal training in architecture. The
\nauthor of the winning entry would be appointed as the architect of the
\nWoman\u2019s Building and would receive an honorarium of $ 1,000.00 for
\nexecuting its working drawings. The creation of a Board of Lady
\nManagers were instituted to oversee the participation of women in
\nprofessional work. The Board was able to impose the requirement that
\nthe Woman\u2019s Building is designed by a female architect. This decision
\nwas not without controversy. Louise Bethune, the most prominent and
\nexperienced of contemporary female practitioners, refused to enter the
\ncompetition because the thousand-dollar honorarium was vastly less
\nthan the commission being offered to male architects for other buildings
\nat the fair.
\nSophia Hayden did choose to submit a design, along with twelve other
\nentrants. A jury judged Hayden\u2019s design as the winner. Rectangular in plan,
\ntwo stories in height, the design suggested the same language as Italian<\/p>\n

Renaissance classicism that Hayden had employed in her MIT thesis.
\nOnly here there was less severity, and it was adapted for construction in
\nwood and staff rather than stone. Symmetrical wings flanked a central
\nportico, with interior rooms surrounding a central hall. The Woman\u2019s
\nBuilding was one of the first fair buildings to enter construction,
\nduring the summer of 1891. It was finished and ready for the opening of
\nthe Exposition, within budget suggesting that Hayden had mastered the
\nmanagerial aspects of the profession as well as the artistic ones.
\nThis first commission was also Hayden\u2019s last realized building.
\nAlthough she was asked to design a Memorial Building that would
\nremain on the fair site as a permanent exhibition and may have prepared
\ninitial plans, she did not complete any other architectural works. She
\nreturned to New England and married interior designer William
\nBlackstone Bennett in 1900. They settled in Winthrop, Massachusetts. A
\nstepdaughter, Jennie May Bennett, was from William\u2019s prior marriage.
\nThe couple had no children of their own. Although Hayden designed a
\nmemorial for women\u2019s clubs in the U.S, in 1894, it was never built. She
\nworked as an artist for years and lived a quiet life. She died at the
\nWinthrop Convalescent Nursing home in 1953 of pneumonia after
\nsuffering a stroke. William died of pneumonia in 1909.
\nWhat might American architecture, America\u2019s cities, and American society
\nhave looked like if Sophia Hayden had continued to design buildings?
\nUnfortunately, we will never know.<\/p>\n

\n restaurant, hotel, bar, restaurant, hotel, bar, restaurant, hotel, bar, big architects, women in architecture, women in architecture, women in architecture, women in architecture<\/p>\n
hotel<\/p>\n","protected":false},"excerpt":{"rendered":"

As in any profession, women are taking their rightful place alongside men in their field. They are finally being recognized for the creative, talented professionals they are. This article will focus on the architect, Sophia Gregoria Hayden. She was born on October 7, 1868, in Santiago, Chile to a Peruvian mother and a father from..<\/p>\n","protected":false},"author":1,"featured_media":3573,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"fifu_image_url":"","fifu_image_alt":"","footnotes":""},"categories":[30,31,5],"tags":[108,103,107,85],"class_list":["post-3571","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","category-education","category-news-2","tag-bar","tag-hotel","tag-restaurant","tag-women-in-architecture"],"yoast_head":"\nWomen in Architecture - Scarano Architect - Buildings - Hotel<\/title>\n<meta name=\"description\" content=\"Women in Architecture Sophia Gregoria Hayden, She was senior thesis was a design Arts Museum of classic design, buildings, hotel\" \/>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" 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